煽情是社会问题剧应有的表达方式不然如何共情非雇佣劳动者家庭的连锁倒霉事风险社会信贷经济的日常投影标题尤其好:Sorry, we missed you. 快递公司的一句职业道歉朋友的母亲7在完整有限中字第也是一句辛酸无奈的自嘲简直是当代社会的微笑抑郁症结尾鼻青脸肿的父亲依然要开车上路送快递以免被公司继续罚钱这时“在路上”不再是青年的酷炫抵抗也不是无家可归的消极自由而是无限循环的劳动、无从抵抗的缴械太阳照常升起新的一天从道歉开始
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看塞隆超强黑科技女Boss 如果没有她的加盟这部系列片我真的是再也不想see you again了奈何选角是心头爱全程女王范霸气十足请不要再拍Dom这个伐木累了去拍Shaw一家好吗
The first half is extremely sloppy, dull, and overlong. There’re some terrible dialogues and sequences that I don’t know if are intentionally hilarious. Lawrence in this part is a totally uninteresting archetypical character and many sequences are just repeating his personalities over and over. Luckily the story turns out to be engaging and something I really can start to care since the second half of the film. The political plays in this part are some of the best I’ve ever seen. Characters really start to develop and become complex. The film becomes way more enjoyable as conflicts intensify. The cinematography is beautiful and the actors’ performances are great throughout nevertheless